Wednesday, October 21, 2009

The Challenge We All Face in Today's Economy

I was particularly struck by Thomas Friedman’s column in The New York Times this morning that I want to share with you. We are in a different and changed economy that has seriously changed our business. The challenge for us is to rise above just processing work as in the past and to fire up our imaginations to re-gain our market. Here’s part of what he wrote:

“A Washington lawyer friend recently told me about layoffs at his firm. I asked him who was getting axed. He said it was interesting: lawyers who were used to just showing up and having work handed to them were the first to go because with the bursting of the credit bubble, that flow of work just isn’t there. But those who have the ability to imagine new services, new opportunities and new ways to recruit work were being retained. They are the new untouchables.

That is the key to understanding our full education challenge today. Those who are waiting for this recession to end so someone can again hand them work could have a long wait. Those with the imagination to make themselves untouchables—to invent smarter ways to do old jobs, energy-saving ways to provide new services, new ways to attract old customers or new ways to combine existing technologies—will thrive.” (Thomas Friedman)

I’d like to think we are a theatre of the new untouchables.

–Wes Brustad, State Theatre President and CEO

Click here to read the complete column by Thomas Friedman.

Monday, October 12, 2009

The World’s Greatest Artists Visit Central New Jersey

Theaters are magical places; they can take you on a journey around the world and back without even leaving your seat! And right here at the State Theatre, we are very fortunate to present some of the world’s greatest artists that can take you on that journey. The best of the best! From the classical musicians of China to the folk dancers of the Ukraine to the passionate flamenco of Spain, the world is at our doorstep here in central New Jersey! And this year is no exception, as over 12 countries are represented in our upcoming 2009-2010 performance schedule!

In addition to the upcoming Shanghai Symphony Orchestra (11/12/09); the Virksy Ukrainian National Dance Company (11/14/09); and Spain’s Soledad Barrio and Noche Flamenco (11/18/09); other 2009-2010 performances from around the world include…
  • Vienna’s famous New Year’s Eve celebration takes the form of a stage show with an orchestra, dancing, and more in Salute to Vienna on December 31, 2009
  • Both Ireland and Scotland are represented with the pipes and drums of the Band of the Irish Guards and the Royal Regiment of Scotland on January 23, 2010
  • A one-of-a-kind spectacle of driving rhythm, athletic choreography, raw energy, and theatrical flair, Canada’s drum group Scrap Arts Music will open our winter festival, Hub City Carnivale on February 5, 2010
  • Russia is well represented with the Moscow State Radio Symphony Orchestra and a special Valentine’s Day matinee on February 14; followed one month later by the fantastic Moscow Festival Ballet in Swan Lake on March 12, 2010
  • In addition to the Irish Guards, Ireland is also represented by The Chieftains, March 14, 2010.
  • Japanese drum group TAO, who made their U.S. debut here in 2007, will return on March 27-28, 2010 with a new show, The Martial Art of Drumming
  • Nalmes Folk Dance Spectacular, a 70-member dance ensemble from the North Caucasus in Russia, will make its U.S. premiere on May 7-8, 2010.
For a complete line-up of events and upcoming additions to the schedule, please visit our website at http://www.statetheatrenj.org/.

–Wes Brustad, State Theatre President and CEO

Wednesday, September 30, 2009

The History of the State Theatre - Since 1921

As an establishment that has been open since 1921, patrons are enough curious of the history of the State Theatre. As someone who has worked here for 5 years I can very easily rattle off a long detailed (sometimes too many details ) history from 1921 until today because I truly do find it quite interesting. But rather than take my word for it, I have posted the story of the State Theatre below. Happy reading!

–Kelly Skinner, Director of Public Relations

Opening on December 26, 1921 and designed by noted theater architect Thomas W. Lamb to offer both movies and live entertainment, "Reade's State Theatre" was one of the biggest, most lavish and modern theaters in the region.

The opening matinee audience, who willingly paid the 20-, 30-, and 50-cent admission, was treated to a live orchestra concert and a tenor rendition of "The Star Spangled Banner." The first feature presentation was the silent film White Oak, a western melodrama starring stone-faced cowboy hero William S. Hart

. Also on the bill were five vaudeville acts, a newsreel, and a nature film. The State was the "class act in town," with its opulent decor, splendid acoustics, and delightful mix of cinematic and live attractions.

A few years into its operation, the theater's management was transferred to the B.F. Keith theater chain. Benjamin Franklin Keith and his partner, Edward Franklin Albee, operated the largest string of vaudeville theaters and the largest booking agency for vaudeville acts in the east. Eventually, the business merged with the largest western booking agency, Orpheum, to form Keith-Albee-Orpheum (KAO). The Radio Corporation of America (RCA), which entered the motion picture business after the advent of sound, acquired KAO in 1928. RCA renamed its new subsidiary Radio-Keith-Orpheum, RKO.

The State Theatre continued to thrive well into the 60s; until eventually audiences started flocking to new multiplex cinemas. In the face of this decline, RKO sold the building to a concern that converted the once-proud State Theatre into a road house that occasionally showed adult movies. It persisted in this state until 1979, when it was purchased by the New Brunswick Development Corporation (DevCo) as part of New Brunswick's revitalization project. By this time, the State Theatre had suffered a sorry decline, both in appearance and reputation.

In 1986, the New Brunswick Cultural Center acquired the State Theatre from DevCo, and by fall 1987 work was underway to reclaim the building from the ravages of time. Miraculously transformed back into a state-of-the-art showplace for live performances, the State Theatre reopened on April 24, 1988 and set the press and public raving about the hall's visual and acoustical splendors.

In December of 2003, the theater began an extensive, $3 million restoration/renovation to return the theater as closely as possible to its original appearance while updating its sound and lighting systems to state-of-the-art. Experts from the architectural firm of Ford, Farewell, Mills, and Gatch oversaw the cleaning and repair of the handsome terra cotta exterior. On the inside, artists from Conrad Schmitt of Milwaukee, a century-old firm specializing in historic restorations, researched and physically examined several areas of the theater’s interior to determine the original paint colors, decorative trim style, and other signature details of the Thomas W. Lamb theater. The theater underwent ornamental plaster repair, decorative painting, replacement of house and lobby lighting, and installation of high tech sound and lighting systems.

For more information on the State Theatre visit http://www.statetheatrenj.org/

Tuesday, September 15, 2009

Multiple One-Man Shows featured in 2009-2010 at the State Theatre

This season at the State Theatre we have quite a few one-person performances, 4 to be exact (not including stand-up comedians). There is no rhyme or reason to it, it's really just a coincidence. In fact, it's become an inside joke among the staff that next season we are going to present only one-person shows! (Just a joke folks.) Yet, we know, as many of us have already seen these performances in NYC or elsewhere, that these 09-10 one-person performances pack a big punch. Comedy, drama, and (sometimes) complete lunacy will ensue as each performer presents their own unique brand of theatrics. So, without further ado, here are this season's one-man performances...

MacHomer
Oct. 27-30, 2009
Imagine Shakespeare’s Macbeth performed in 75 minutes—by a single actor. Oh, and did I mention that all of the play’s characters are portrayed in the voices of over 50 characters from The Simpsons? Read more.

One-Man Star Wars Trilogy
Feb. 6, 2010
Actor Charles Ross does it all...the characters, the action, special effects, and even parts of John Williams’ score. Read more.

Tomáš Kubínek
Feb. 19, 2010
A self-proclaimed “Certified Lunatic and Master of the Impossible,” his inspired fusion of clowning, acrobatics, music, magic, and absurdity will astonish and delight people of all ages. Read more.

The Amish Project
Mar. 5-6, 2010
A fictional exploration of true events, this is the story of a schoolhouse shooting in an Amish community, and the path of forgiveness and compassion forged in its wake. Read more.

The State Theatre is located at 15 Livingston Ave in New Brunswick, NJ. For information or to purchase tickets call 732-246-SHOW (7469) or visit http://www.statetheatrenj.org/. Check us out on Twitter, Facebook, Myspace, and YouTube.

Wednesday, September 9, 2009

It's a Pajama Jammy Jam!


Children’s music superstars and NOGGIN channel favorites Laurie Berkner, Susie Lampert, Adam Bernstein, and Bob Golden (Also known as The Laurie Berkner Band) will perform a “Pajama Party” concert at the State Theatre on September 13 to benefit The Pajama Program which provides new pajamas for children entering foster care. In addition to wearing pajamas to the concert, families are also encouraged to bring a pair of new children’s pajamas and/or a new children’s book to donate to the program.

A Note from the Band...
Laurie, Susie, Adam, and Bob are throwing a Pajama Party Concert! Kids, wear your pajamas (parents can too) or bring your favorite stuffed animal (for your head of course) to the concert. At the concert we're collecting new pajamas and books for children in need in the U.S. and around the world, (many of whom are waiting to be adopted.) At the concert there will be a collection bin for your donations.

Those not attending the concert, are also encouraged to drop off their pajama/book donations to the State Theatre Ticket Office on September 13. So, come out and support a good cause!

The State Theatre is located at 15 Livingston Ave in New Brunswick, NJ. For information or to purchase tickets call 732-246-SHOW (7469) or visit http://www.statetheatrenj.org/. Check us out on Twitter, Facebook, Myspace, and YouTube.

Thursday, September 3, 2009

Blues & Jazz returns!

Every year in September, we present a little something called the New Jersey Blues & Jazz Festival at the Backstage Jazz Club. It's 3 days and 6 sets of Blues and Jazz by some of the top musicians in the Blues & Jazz biz. What's unique about these performances is that both the performers and the attendees sit on the stage, creating an intimate jazz club kind of setting (only 200 seats). Even the entrance to the festival, which is down the alley by the stage door has that small jazz club feel. I have many memories from these festivals and I have met many talented musicians. One of my favorite sets was Jon Faddis with Jimmy Heath. Heath, now 82 years old, can still jam with the best of them, not to mention he is one of the sweetest guys I have ever met. I was able to take a little footage (see below) of their performance at the 2007 festival...the video was filmed a little far back as if I was a fly on the wall, but it's still cool to watch.

–Kelly Skinner, Director of Public Relations



The 2009 New Jersey Blues & Jazz Festival line-up includes:

Rod Piazza & The Mighty Flyers
Thu, September 24 at 8pm & 10pm

Marcia Ball
Fri, September 25 at 8pm & 10pm

Yellowjackets
Sat, September 26 at 8pm & 10pm

The State Theatre is located at 15 Livingston Ave in New Brunswick, NJ. For information or to purchase tickets call 732-246-SHOW (7469) or visit http://www.statetheatrenj.org/. Check us out on Twitter, Facebook, Myspace, and YouTube.

Monday, August 24, 2009

Review of 2009 NYC Fringe Festival Events

New York City’s Annual Fringe Festival is a chance for artists to come together to showcase what they have been working on to friends, family, industry and theater fans. I attended two shows at the Connelly Theater on the East Side at this year’s festival to see if there was anything out there that our school groups might enjoy seeing in future seasons and I was pleasantly surprised. The first show, Sinking Ship Production’s Powerhouse, is the story of composer Raymond Scott and his passion in discovering new ways to create music. Actually, the entire play leads up to his invention of “The Electronium” (a machine that produced sounds and melodies randomly so you could always listen to something new). The show, which naturally incorporated a lot of Scott’s own music along with other sounds of the time, was well done and well acted with some very amusing puppets acting out the cartoons that Scott had composed for (even though sometimes I wasn't really sure what the puppets were doing). It was touching and I laughed, but I don’t think school groups would be too interested in seeing this show with slightly more adult themes.

Later that day I got to see a great musical version of the Edgar Allan Poe classic, The Fall of the House of Usher from the Woodberry Forest School. When I decided to go see it, I thought, as I’m sure many high schoolers think, that Poe is going to be dark and depressing and kind of boring. I was pleasantly surprised. The music covered several different genres and added a definite tone to the show that helped the audience get into the mindset of the original poet who wrote over 200 years ago. I was impressed with the acting and how passionate they were in their roles and how exciting it was compared to other Poe works, such as “The Raven”. I thought this version is one that high schoolers could very much enjoy if they don’t think so much that they are “learning.”

All in all, I think it was a pretty successful first outing at the Fringe Festival. I enjoyed both shows and got to see what people in the industry were doing. The Festival only runs until August 30th, but I’m already looking forward to next year.

–Jenn Cunha, Education

The State Theatre is located at 15 Livingston Ave in New Brunswick, NJ. For information or to purchase tickets call 732-246-SHOW (7469) or visit http://www.statetheatrenj.org/. Check us out on Twitter, Facebook, Myspace, and YouTube.