Showing posts with label Plays. Show all posts
Showing posts with label Plays. Show all posts

Wednesday, September 30, 2009

The History of the State Theatre - Since 1921

As an establishment that has been open since 1921, patrons are enough curious of the history of the State Theatre. As someone who has worked here for 5 years I can very easily rattle off a long detailed (sometimes too many details ) history from 1921 until today because I truly do find it quite interesting. But rather than take my word for it, I have posted the story of the State Theatre below. Happy reading!

–Kelly Skinner, Director of Public Relations

Opening on December 26, 1921 and designed by noted theater architect Thomas W. Lamb to offer both movies and live entertainment, "Reade's State Theatre" was one of the biggest, most lavish and modern theaters in the region.

The opening matinee audience, who willingly paid the 20-, 30-, and 50-cent admission, was treated to a live orchestra concert and a tenor rendition of "The Star Spangled Banner." The first feature presentation was the silent film White Oak, a western melodrama starring stone-faced cowboy hero William S. Hart

. Also on the bill were five vaudeville acts, a newsreel, and a nature film. The State was the "class act in town," with its opulent decor, splendid acoustics, and delightful mix of cinematic and live attractions.

A few years into its operation, the theater's management was transferred to the B.F. Keith theater chain. Benjamin Franklin Keith and his partner, Edward Franklin Albee, operated the largest string of vaudeville theaters and the largest booking agency for vaudeville acts in the east. Eventually, the business merged with the largest western booking agency, Orpheum, to form Keith-Albee-Orpheum (KAO). The Radio Corporation of America (RCA), which entered the motion picture business after the advent of sound, acquired KAO in 1928. RCA renamed its new subsidiary Radio-Keith-Orpheum, RKO.

The State Theatre continued to thrive well into the 60s; until eventually audiences started flocking to new multiplex cinemas. In the face of this decline, RKO sold the building to a concern that converted the once-proud State Theatre into a road house that occasionally showed adult movies. It persisted in this state until 1979, when it was purchased by the New Brunswick Development Corporation (DevCo) as part of New Brunswick's revitalization project. By this time, the State Theatre had suffered a sorry decline, both in appearance and reputation.

In 1986, the New Brunswick Cultural Center acquired the State Theatre from DevCo, and by fall 1987 work was underway to reclaim the building from the ravages of time. Miraculously transformed back into a state-of-the-art showplace for live performances, the State Theatre reopened on April 24, 1988 and set the press and public raving about the hall's visual and acoustical splendors.

In December of 2003, the theater began an extensive, $3 million restoration/renovation to return the theater as closely as possible to its original appearance while updating its sound and lighting systems to state-of-the-art. Experts from the architectural firm of Ford, Farewell, Mills, and Gatch oversaw the cleaning and repair of the handsome terra cotta exterior. On the inside, artists from Conrad Schmitt of Milwaukee, a century-old firm specializing in historic restorations, researched and physically examined several areas of the theater’s interior to determine the original paint colors, decorative trim style, and other signature details of the Thomas W. Lamb theater. The theater underwent ornamental plaster repair, decorative painting, replacement of house and lobby lighting, and installation of high tech sound and lighting systems.

For more information on the State Theatre visit http://www.statetheatrenj.org/

Tuesday, September 15, 2009

Multiple One-Man Shows featured in 2009-2010 at the State Theatre

This season at the State Theatre we have quite a few one-person performances, 4 to be exact (not including stand-up comedians). There is no rhyme or reason to it, it's really just a coincidence. In fact, it's become an inside joke among the staff that next season we are going to present only one-person shows! (Just a joke folks.) Yet, we know, as many of us have already seen these performances in NYC or elsewhere, that these 09-10 one-person performances pack a big punch. Comedy, drama, and (sometimes) complete lunacy will ensue as each performer presents their own unique brand of theatrics. So, without further ado, here are this season's one-man performances...

MacHomer
Oct. 27-30, 2009
Imagine Shakespeare’s Macbeth performed in 75 minutes—by a single actor. Oh, and did I mention that all of the play’s characters are portrayed in the voices of over 50 characters from The Simpsons? Read more.

One-Man Star Wars Trilogy
Feb. 6, 2010
Actor Charles Ross does it all...the characters, the action, special effects, and even parts of John Williams’ score. Read more.

Tomáš Kubínek
Feb. 19, 2010
A self-proclaimed “Certified Lunatic and Master of the Impossible,” his inspired fusion of clowning, acrobatics, music, magic, and absurdity will astonish and delight people of all ages. Read more.

The Amish Project
Mar. 5-6, 2010
A fictional exploration of true events, this is the story of a schoolhouse shooting in an Amish community, and the path of forgiveness and compassion forged in its wake. Read more.

The State Theatre is located at 15 Livingston Ave in New Brunswick, NJ. For information or to purchase tickets call 732-246-SHOW (7469) or visit http://www.statetheatrenj.org/. Check us out on Twitter, Facebook, Myspace, and YouTube.

Monday, August 24, 2009

Review of 2009 NYC Fringe Festival Events

New York City’s Annual Fringe Festival is a chance for artists to come together to showcase what they have been working on to friends, family, industry and theater fans. I attended two shows at the Connelly Theater on the East Side at this year’s festival to see if there was anything out there that our school groups might enjoy seeing in future seasons and I was pleasantly surprised. The first show, Sinking Ship Production’s Powerhouse, is the story of composer Raymond Scott and his passion in discovering new ways to create music. Actually, the entire play leads up to his invention of “The Electronium” (a machine that produced sounds and melodies randomly so you could always listen to something new). The show, which naturally incorporated a lot of Scott’s own music along with other sounds of the time, was well done and well acted with some very amusing puppets acting out the cartoons that Scott had composed for (even though sometimes I wasn't really sure what the puppets were doing). It was touching and I laughed, but I don’t think school groups would be too interested in seeing this show with slightly more adult themes.

Later that day I got to see a great musical version of the Edgar Allan Poe classic, The Fall of the House of Usher from the Woodberry Forest School. When I decided to go see it, I thought, as I’m sure many high schoolers think, that Poe is going to be dark and depressing and kind of boring. I was pleasantly surprised. The music covered several different genres and added a definite tone to the show that helped the audience get into the mindset of the original poet who wrote over 200 years ago. I was impressed with the acting and how passionate they were in their roles and how exciting it was compared to other Poe works, such as “The Raven”. I thought this version is one that high schoolers could very much enjoy if they don’t think so much that they are “learning.”

All in all, I think it was a pretty successful first outing at the Fringe Festival. I enjoyed both shows and got to see what people in the industry were doing. The Festival only runs until August 30th, but I’m already looking forward to next year.

–Jenn Cunha, Education

The State Theatre is located at 15 Livingston Ave in New Brunswick, NJ. For information or to purchase tickets call 732-246-SHOW (7469) or visit http://www.statetheatrenj.org/. Check us out on Twitter, Facebook, Myspace, and YouTube.